Joined: Nov 25, 2005
|Posted: 2013-06-27 12:01 pm  Permalink|
I took advantage of the paper clay properties, and left the MEGA *mystery* Moai pendant on a bakery drying on my desk under the ceiling fan all day yesterday and last night. It is now nice-n-dry, and has not warped or cracked at all. I may be re-thinking the pressing of the full sized Cracked Moai tiles (from which this pendant is pulled from). The big problem is paper clay is much more expensive than standard ceramic clays. I'll see how this test pendant fires and glazes, then will re-assess the pressing process.
Gene - I've never tried slip casing in my studio. The big pendant is actually part of a 4x8" tile that I trimmed down after pressing. I don't think slip casting would work well for the thinner parts of the tile molds, and I suspect it would take WAY longer to do it that way. I can pop the pressed tiles out of the molds in less than 5 minutes - whereas I have a feeling it would take longer than that for the slip to set up thick enough on the mold. I could be wrong, though! Someday I have a feeling casting slip will work its way into my studio
GROG - GROG just win the Best Idea Of The Day™ award! I am going to do exactly what you suggest! All I've got in the studio at the moment is paper clay - but that may be just the stuff for this. Sticking 2 together would be awesome! I'll If it works well, I may be able to make one for GROG - WIll you be at Oasis this year?